000 | 01465cam a2200313 i 4500 | ||
---|---|---|---|
001 | 42227 | ||
003 | 0000000000 | ||
005 | 20250407094718.0 | ||
008 | 770301s1977 ilu 001 0 eng | ||
010 | _a76025638 | ||
020 | _a0226556840 | ||
020 | _a9780226556840 | ||
035 | _a(OCoLC)3003937 | ||
040 |
_aDLC _beng _cDLC _dMUQ _dSAC _dBTCTA _dGEBAY _dYDXCP _dDEBBG _dOCLCO _dAQ5 |
||
043 | _an-us--- | ||
050 | 0 |
_aPS379 _b.M253 |
|
100 | 1 | _aMcConnell, Frank D. | |
245 | 0 | 0 |
_aFour postwar American novelists / _cFrank D. McConnell. |
260 |
_aChicago : _bUniversity of Chicago Press, _cc1977. |
||
300 |
_axxix, 206 pages : _billustrations ; _c23 cm. |
||
500 | _aIncludes index. | ||
505 | 0 | _aIntroduction: after apocalypse -- 1. Saul Bellow and the terms of our contract -- 2. Norman Mailer and the cutting edge of style -- 3. John Barth and the key to the treasure -- 4. Thomas Pynchon and the abreaction of the lord of night -- Afterword. | |
600 | 1 | 0 |
_aBarth, John, _d1930- _xCriticism and interpretation. |
600 | 1 | 0 |
_aMailer, Norman _xCriticism and interpretation. |
600 | 1 | 0 |
_aPynchon, Thomas _xCriticism and interpretation. |
650 | 1 | 0 |
_aAmerican fiction _y20th century _xHistory and criticism. |
650 | 1 | 0 |
_aWorld War, 1939-1945 _zUnited States _xInfluence. |
999 |
_c7809 _d7809 |