Racial Disintegration: Biomedical Futurity at the Environmental Limit Michelle N. Huang Illuminating how biomedical capital invests in white and Asian American populations while divesting from Black surplus populations, this article proposes recent Asian American dystopian fiction provides a case study for analyzing futurities where healthcare infrastructures intensify racial inequality under terms that do not include race at all. Through a reading of Chang-rae Lee's On Such a Full Sea (2014) and other texts, the article develops the term studious deracination to refer to a narrative strategy defined by an evacuated racial consciousness that is used to ironize assumptions of white universalism and uncritical postracialism. Studious deracination challenges medical discourse's "color-blind" approach to healthcare and enables a reconsideration of comparative racialization in a moment of accelerating social disintegration and blasted landscapes. Indeed, while precision medicine promises to replace race with genomics, Asian American literature is key to showing how this "postracial" promise depends on framing racial inequality as a symptom, rather than an underlying etiology, of infrastructures of public health.

Geomemory and Genre Friction: Infrastructural Violence and Plantation Afterlives in Contemporary African American Novels Rebecca Evans This essay argues that contemporary African American novels turn to the gothic in order to dramatize the uncanny infrastructural and spatial afterlives of the plantation through a literary strategy it identifies as geomemory: a genre friction between mimetic and gothic modes in which postplantation spaces in the US South are imbued with temporal slippages such that past and present meet through the built environment. Tracing the plantation's environmental and infrastructural presence in the Gulf Coast and throughout the US South, this essay argues that the plantation's presence is fundamentally gothic. Geomemory, a trope evident across the emerging canon of contemporary African American fiction, allows writers to address the representational challenge of infrastructural and spatial violence via a defamiliarizing chronotope in which past, present, and future come into uneasy contact. Further, geomemory's particular enmeshment with spatial design and infrastructure means that it moves from identifying the modern afterlife of the plantation to situating the present in the long context of plantation modernity.

Racial Disintegration: Biomedical Futurity at the Environmental Limit Michelle N. Huang Illuminating how biomedical capital invests in white and Asian American populations while divesting from Black surplus populations, this article proposes recent Asian American dystopian fiction provides a case study for analyzing futurities where healthcare infrastructures intensify racial inequality under terms that do not include race at all. Through a reading of Chang-rae Lee's On Such a Full Sea (2014) and other texts, the article develops the term studious deracination to refer to a narrative strategy defined by an evacuated racial consciousness that is used to ironize assumptions of white universalism and uncritical postracialism. Studious deracination challenges medical discourse's "color-blind" approach to healthcare and enables a reconsideration of comparative racialization in a moment of accelerating social disintegration and blasted landscapes. Indeed, while precision medicine promises to replace race with genomics, Asian American literature is key to showing how this "postracial" promise depends on framing racial inequality as a symptom, rather than an underlying etiology, of infrastructures of public health.

The Hard-Boiled Anthropocene and the Infrastructure of Extractivism Jamin Creed Rowan This essay suggests that hard-boiled crime fiction in the United States has developed the kind of "deep infrastructural ethic" that John Durham Peters says is present in much modern thought. The essay attempts to illuminate the genre's infrastructural ethic and its corresponding affordance for environmental critique by tracing its expressions through a sample of significant texts in the hard-boiled and noir canons, and by concluding with a sustained reading of Paolo Bacigalupi's The Water Knife (2015). These readings demonstrate that hard-boiled narratives enable readers to perceive the ways in which extractivist infrastructures are frequently built upon and facilitate the exploitation of both human and environmental resources. Hard-boiled texts help readers see capitalism's extractivist infrastructure as a type of material and intellectual entrapment that ultimately undermines the common good and the planetary commons. Further, this essay argues that hard-boiled crime fiction attends to what AbdouMaliq Simone calls "infrastructures of relationality" and thus points a way out of the material and metaphysical entrapments of an extractivist economy's infrastructure. The infrastructures of relationality that emerge in a world in which climate crises have broken down the infrastructures of capitalism provide a platform from which individuals can practice a mode of collective thinking and being that offers an alternative to the alienation upon which extractivism depends. In short, the hard-boiled genre is not only one of the Anthropocene's earliest cultural responders but is also a vital genre for making sense of our contemporary situation in a deeper stage of the Anthropocene.

The Subsident Gulf: Refiguring Climate Change in Jesmyn Ward's Bois Sauvage Kelly McKisson This article focuses on figures of subsidence in Jesmyn Ward's novels of Bois Sauvage. Subsidence not only describes an actual process of sinking land in the US Gulf Coast bioregion but also refigures how those who study climate change can understand and address its material effects. A focus on subsidence makes visible the sometimes-invisible infrastructure of the ground, and analysis scaled to the figure of subsidence forces a reorientation of vision-away from rising sea levels and toward the destabilizing loss of land. From this perspective, Ward's fiction identifies histories of colonial engineering, extraction, and displacement as key ecological dangers. Unsettling national narratives of the Gulf Coast, Ward's subsident figurations connect issues of environmental emergency to structures of environmental racism, which unevenly enhance the precarity of certain communities by diminishing the ecological infrastructures of their lands. This article argues that literary fiction can produce new understandings of situated environmental challenges and can pose particular obligations for environmental justice.

War on Dirt: Aesthetics, Empire, and Infrastructure in the Low Nineteenth Century Andrew Kopec This essay considers the politico-aesthetics of infrastructure by focusing on poems that anticipate, justify, and critique internal improvements, from Joel Barlow's early Republican vision of the Erie and Panama Canals to texts that document the ruin caused by the works Barlow imagined as glorious. Historical scholarship has long assessed the mania for cutting roads and canals into the landscape. But engaging an emerging infrastructuralism-and turning to imaginative texts that exist underneath the ground typically trod by US literary studies, from Philip Freneau's celebratory ode to the Erie Canal to Harriet Beecher Stowe's and Nathaniel Hawthorne's ironic canal travel sketches to Margarita Engle's recent historical verse-novel tallying the devastations of the Panama Canal-this essay identifies an infrastructural dialectic in which writers view infrastructure, initially, as awesome so as to justify its ecological and social violence and, subsequently, as banal so as to render it invisible within the settler state. Oscillating between awe and irritation, the sublime and the stuplime, then, these texts both expose the rhythm of infrastructure's long-that is, low-relation to the structure of coloniality and, in Engle's case, model how to disrupt it so as to imagine a more just life "after" infrastructure.